体验历史的伤痕：上海“抗日”抵抗沉浸式剧场

This contrapuntal review examines how immersive theatre in China reconstructs and politicises historical ‘scars’ of the ‘Anti-Japanese War of Resistance’ within contemporary memory politics. It asks how memorialising history can be facilitated and utilised through immersion in China. Drawing on a qualitative case study of an immersive theatre production in Shanghai, the analysis combines textual interpretation of the performance with insights from participant experiences and existing literature on trauma and memory. The article identifies three types of ‘scars’ evoked in the performance: emoti