梦想档案：沉浸式遗产与历史感知设计

Immersive media artworks that transform cultural archives into large-scale, real-time visual environments offer a newly promoted framework for heritage experience. This paper examines this phenomenon through Refik Anadol's Archive Dreaming (2017) and Rumi Dreams (2022), situating his practice at the intersection of design, art, heritage, and media theory. The central inquiry investigates whether these environments engage the inferential processes that traditionally construct historical consciousness or substitute an immediate, pre-inferential affect. Grounded in film theory, embodied phenomeno