蒙特利尔的焦油、炸弹和喧闹的学生

The aim of this paper is to explore how the study of iconoclasm within the framework of commemoration history can offer a window into ongoing relationships with monuments. Specifically, it looks at different twentieth-century interactions with historical statues to discuss three types of iconoclasms in twentieth-century Montreal: staged, dissenting, and ordinary iconoclasm. The paper first looks at the way the McCord Museum has exhibited and preserved a late eighteenth-century bust of George III, allegedly Montreal’s first public monument. Second, it examines graffiti campaigns and attempts to